Truman's Decision to Drop the Atomic Bomb Essay Example | Topics and Well Written Essays - 500 words

Truman's Decision to Drop the Atomic Bomb - Essay Example There were discussions on several occasions about the need to warn the Japanese civilians on an impending attack. While on the surface this seems morally admirable, it was considered a vain action and may have imperiled millions of civilians and military personnel.2 By June 1 1945, the industrial infrastructure had been decimated, but Japan showed no signs of surrendering.3 The unwillingness of Japan to reach a military surrender prompted the Truman administration to pursue the plan of using the bomb. Though it would ultimately be Truman's decision, he carefully considered the other options and weighed the opinions of his closest advisors. The Truman administration had little trust in Russia's long-term intentions in regards to the Asian continent. There were millions of American and Japanese lives at stake. Truman's decision would involve all these stakeholders in a Kohlberg stage five thinking that recognized "...national self-interest itself must be limited and compromised".4 Truman had reached a moral decision based on the interests of the world at large, and the stakeholders involved. Truman has been criticized for acting in his own political interests. However, there was a plan on the table to warn Japan, but this plan was discarded due to the real possibility of the bomb being a dud5.

Critical analysis Essay Example | Topics and Well Written Essays - 750 words

Critical analysis - Essay Example Nevertheless, the real issue at hand is the motive behind taking the image. Clearly, there is a voyeuristic element with the way the images are being represented through the lens. It can be observed how the acts are conforming to the intended obscenity, the poor lighting, and the predating conditions before Yoshiyuki’s encounter with the couples. No one could honestly testify the real intent behind the scopophilia but judging from a critic’s point of view, there seems to be no cooperation between Yoshiyuki and the group of people. In the context of photography, while Yoshiyuki did not anticipate the happenstance, the drive that sticks him with the ongoing public demonstration could be related to personal photography, wherein he intended to seize the image for personal use (Wells 56); â€Å"here is a person making choices, not a stationary camera recording what passes before it (â€Å"Gefter, Sex in the Park, and Its Sneaky Spectators†). The photo also suggests o f his nature as a photographer: a voyeur. Although, he vehemently disagreed that he is one. He asserts that â€Å"My intention was to capture what happened in the parks, so I was not a real ‘voyeur’ like them† (Gefter, â€Å"Sex in the Park, and Its Sneaky Spectators†). ... As a matter of fact, the â€Å"curator of photography at the Museum of Modern Art, agrees that Yoshiyuki’s work falls into a photographic tradition† (Gefter, â€Å"Sex in the Park, and Its Sneaky Spectators†). In the past and maybe until today, â€Å"aesthetic and subject matter of the photograph was considered as only of secondary importance† (49); what is more important is the image itself. Looking at the photo, it is rather conspicuous that no artistic impression was intended; considering the ephemerality of such activity, the motive behind the photo is the image alone – an idea that conforms to personal photography – in which the practitioner was more concerned of capturing the image rather than understanding its significance. Indeed, obscenity does not entail good standing; hence, this has been discounted in the process, perhaps, due to the voyeuristic purpose of the photograph. As mentioned earlier, it can be argued that obscenity does not entail good standing. If this is so, what was the real motive of the practitioner? Voyeurism and scopophilia can be very subjective oftentimes and so Yoshiyuki, as he proclaimed himself a voyeur, points towards what he can take out of the â€Å"perfect† encounter; although, the picture expresses manifold significance in the society. The picture somehow signifies the employment of nudity as an indicator of certain types of prejudice in that body is essential to "colonial modes of power, including the processes of representation" (84). The picture relatively depicts a social stratification in the Japanese civilization, in which women are significantly controlled by the men. Photography, in history, took part in the employment of modernist thinking that criticizes â€Å"high and low cultures†, which are